Japan – Bibliography

• Akiyama, Terukazu. Japanese Painting. Geneva: Skira, 1972.

• Cardozo, Sidney, and Masaaki Hirano. The Art of Rosanjin. New York: Kodansha International, 1987.

• Cunningham, Michael, et al. Buddhist Treasures from Nara. Cleveland: Cleveland Museum of Art, 1998.

• Guth, Christine. Art of Edo Japan: The Artist and the City, 1615–1868. New York: Abrams, 1996.

• Hickman, Money L., et al. Japan's Golden Age: Momoyama. New Haven: Yale University Press in Association with Sun and Star; Dallas Museum of Art, 1996.

• Kidder, J. Edward, Jr. Prehistoric Japanese Arts: Jomon Pottery. Tokyo: Kodansha International, 1968.

• Levine, Gregory P.A., Andrew M. Watsky, and Gennifer Weisenfeld, eds. Crossing the Sea

• _ Essays on East Asian Art in Honor of Professor Yoshiaki Shimizu_. Princeton: P.Y. and Kinmay W. Tang Center for East Asian Art, Princeton University, in association with Princeton University Press, 2012.

• Mason, Penelope. History of Japanese Art. New York: Abrams, 1993.

• Mino, Yutaka, et al. The Great Eastern Temple: Treasures of Japanese Buddhist Art from Todai-ji. Chicago: Art Institute of Chicago; Bloomington: Indiana University Press, 1986.

• Munroe, Alexandra, et al. Japanese Art After 1945: Scream Against the Sky. New York : Abrams, 1994.

• Munsterberg, Hugo. The Art of Modern Japan: From the Meiji Restoration to the Meiji Centennial, 1868–1968. New York: Hacker Art Books, 1978.

• Murase, Miyeko. Emaki: Narrative Scrolls from Japan. New York: Asia Society, 1983.

• Parker, Joseph D. Zen Buddhist Landscape Arts of Early Muromachi Japan (1336–1573). Albany: State University of New York Press, 1999.

• Pearson, Richard, et al. Ancient Japan. Washington, D.C.: Arthur M. Sackler Gallery; New York: G. Braziller, 1992.

• Rosenfield, John M. Extraordinary Persons: Works by Eccentric, Nonconformist Japanese Artists of the Early Modern Era (1580–1868) in the Collection of Kimiko and John Powers. 3 vols. Cambridge: Harvard University Art Museums, 1999.

• Rosenfield, John M. Preserving the Dharma: Hōzan Tankai and Japanese Buddhist Art of the Early Modern Era. Princeton: P.Y. and Kinmay W. Tang Center for East Asian Art, Princeton University, in association with Princeton University Press, 2015.

• Screech, Timon. The Shogun's Painted Culture: Fear and Creativity in the Japanese States, 1760–1829. London: Reaktion Books, 2000.

• Shimizu, Yoshiaki, ed. Japan: The Shaping of Daimyo Culture, 1185–1868. Washington, D.C.: National Gallery of Art, 1988.

• Shimizu, Yoshiaki, and John M. Rosenfield. Masters of Japanese Calligraphy: 8th–19th Century. New York: Asia Society Galleries, 1984.

• Shimizu, Yoshiaki, and Carolyn Wheelright, eds. Japanese Ink Paintings from American Collections: The Muromachi Period: An Exhibition in Honor of Shujiro Shimada. Princeton: The Art Museum, Princeton University, 1976.

• Washizuka, Hiromitsu, et al. Transmitting the Forms of Divinity: Early Buddhist Art from Korea and Japan. New York: Japan Society, 2003.

• Watsky, Andrew M. Chikubushima: Deploying the Sacred Arts in Momoyama Japan. Seattle: University of Washington Press, 2004.

• Weeder, E., ed. The Rise of a Great Tradition: Japanese Archaeological Ceramics from the Jomon through Heian Periods (10,500 B.C. to A.D. 1185). New York: Japan Society, 1990.

• Weisenfeld, Gennifer. Mavo: Japanese Artists and the Avant-garde, 1905–1931. Berkeley: University of California Press, 2002.

• Yanagi, Sori, ed. The Woodblock and the Artist: The Life and Work of Shiko Munakata. New York: Kodansha International, 1991.

• Yienpruksawan, Mimi. Hiraizumi: Buddhist Art and Regional Politics in Twelfth-century Japan. Cambridge: Harvard University Asia Center, 1998.