The Face Comes to Life
Conclusions drawn from
fieldwork in the Valley of Oaxaca...
allowed artists to construct a facsimile of the head of
the Princeton effigy censer in ceramic, treat it with
the proper plaster foundation, and reconstruct the
original painting, clearly revealing the salient iconographic
details, particularly the
diagnostic white hand
across the mouth.
The body was painted black; indicative of a special ointment
that
Nahua priests rubbed into their skin.
The neck was painted red, possibly suggesting a necklace of spondylous
shell to which four alternating blue and white disks were attached.
A recreation of the effigy as it may have originally looked. Animation by Sam Koren.
The wrists were ornamented with bracelets possibly colored blue to suggest
turquoise mosaic. Both the bracelets and the necklace were finished
with small golden bells emphasized in low relief. Facial paint features
a band of yellow across the eyes and a white hand over the mouth. The
thumb of the hand extends over the right cheek while the fingers, each
tipped by a blue nail, extend around the left hand side of the jaw
almost to the ear ornament. Fanged jaguar teeth protruding from the
corners of the mouth are an allusion to the Maquiltonal’s principal
nahual or spirit companion, a kind of animal alter ego.